SHABBY CHIC SHENANIGANS

Ten years in the making (in my mind), two years waiting (since we’ve moved to Blue Belldon Farm) and two months of physically working on this project – but it’s finally DONE!  Although we don’t have any sort of television programs, we do enjoy BBC and PBS-type broadcasting from our computer, which we project on to Richard’s large screen,  (Mom/Joy just watches her lap-top upstairs, mostly CBC).  We especially do this in the dark evenings of winter when we are so much less busy outside on the farm.  Reading, writing and Scrabble are also favourite off-season evening past times, of course. I also periodically still do some coaching and theory lessons, and for that a screen is needed to show playbacks of the students’ riding as well as any of my massive collection of equine educational video.  But I have always despised the look of a television in any room, (ESPECIALLY OVER ONE’S BEAUTIFUL FIREPLACE, FOLKS – A T.V. SCREEN IS NOT A WORK OF ART!) and as a dedicated and long-time decorator of farmhouses, I have always tried to hide the t.v. wherever and however possible.

Thus, despite both sets of my grandparents being collectors of fine antiques, and the one grandfather actually spending years scraping generations of thick lead paint from furniture and then refinishing these pieces to their natural wooden sheens, Richard and I have done the UNTHINKABLE.  Well, unthinkable to my four grandparents, no doubt, and despite her compliments, rather shocking to my mother as well, I suspect.  But shabby chic is ‘IN’, and has been for nearly the decade that I’ve had my Rustic Revivals business. So, we’ve MADE – from scratch- the bespoke pie-safe-like cabinet of which I’ve always dreamt.

Now, of course, if we could have found a wonderful chippy-painted primitive hutch that would have held our television screen and all its accessories (V.H.S., D.V.D. players, stereo, etc) we’d have bought it, but we knew we had too many requirements for anything to ever fit ‘just right’.  Also, there are NO antique auctions of any type in the whole of northern New Brunswick anyway, and getting old wood across the border from Maine is often tricky.

To build something similar yourself, read paragraphs UNDER each related photo for the explanations as to how we did this D.I.Y. project, finishing just in the nick of time as the weather (finally) warms and the snow is (slowly) melting!

(as always, click on each photo in a grouping, to make bigger).

The first part of tidying up the last-to-finish corner of our living room was for Richard to design and build the bookshelves (to left) we wanted, to match the other side that he built LAST winter. (those, on right, are mentioned and seen in the post entitled “…That Time Has Tried”:

https://bluebellmountainblog.wordpress.com/2016/10/23/that-time-has-tried/ ).

The finished book shelves, sharing the corner where our new shabby chic T.V. cabinet resides, look lovely with my ancient trophies, and our pottery and books.  I stained them with 4 different shades of dark stain (which we just had around – I never go buy new!) to make them look older and bring out the various colours in the grains. The shelves look grand, yet homey, in both daylight and lamp-lit, don’t they?

My friend Ron from Carlisle (prayers are with him as he is in and out of hospital of recent weeks) gave me two big boxes of wood-turned finials a few years ago.  I have used these for a plethora of decor, but they are especially perfect for stacking into various heights and painting as candle holders. If you look on the lamp-lit bookshelf, you’ll see two used as such, and I’ve just painted 16 in the lime green and purple wedding colours for Richard’s niece’s wedding here on the farm in July as well – thank you AGAIN, Ron!

We needed legs on this project, not just for it to look like an authentic pie-safe, but to raise it above our water-circulating radiator on the wall.  So 4 of Ron’s finials were perfect for this, with Richard adding pieces of pine on top and bottom of them to raise them and make them sturdier.

The above also shows the use of just regular white glue for the crackle effect.  You CAN spend the money on “Crack It”, and sometimes it does seem to work a little more magically, but in general and for a large surface area, just regular Elmer’s or Bondfast is fine. Paint your wood with a dark colour first. Apply the glue liberally and start painting your outer chosen colour after about 15 or 20 minutes, when the glue is still ‘tacky’.  As it dries, it will expand and ‘crackle/chip’ your paint.  DON’T GO OVER IT AND TRY AND RE-DO A SPOT.  (more on this below) But I also, as seen in all the photos below, do other things to distress and age with paint effects.  (And for more on this see my blog post on our other great project this winter – our pantry bins! https://bluebellmountainblog.wordpress.com/2018/01/13/the-pedantic-in-the-pantry/ )

Other ways of distressing and aging besides just crackling:

  • dry-brush streaks
  • apply paint, let partially dry, then wipe off HARD with cloth
  • beat, chip, gouge with various tools as seen in “The Pedantic in the Pantry”
  • use knives to scrape paint off edges where natural wear and tear would occur
  • apply a brownish or ‘rust’ coloured paint and or light STAIN over some parts to ‘age’
  • and as you’ll see near the end, attach tiny bits of masking tape for ‘chips’ and paint them, so that rather than just crackling you have actual ‘peeling’ bits of paint!

For the sides of the cabinet/pie-safe, Richard cut two pieces of pine left over from the library shelves.  As with the legs, I first painted black and left to dry completely. Then slathered on the glue, left for 20 minutes, and then put on the 2nd coat.

Some extra tips: Don’t take your brush over the glue more than the one time!     Do slather the glue on horizontally and then paint VERTICALLY to follow the grain.  The crackle works its magic best this way.

I didn’t ‘beat these up’ as much as I did the pantry bin fronts but I did gouge a few spots out with the claws of the hammer and then painted over again.  (The colour wasn’t quite right on these sides, either – it was too ‘minty’, so I later mixed some more paint to match the legs better and lightly went over it again, but the crackle isn’t nearly as effective of course).

Neighbour and Richard’s helpmate Zeb came over to help assemble the legs and the sides, then put on the shelves and attach to the wall with all the heavy equipment lifted in after two years of them perched on an upturned plastic bin.  Richard always glues first with wood-glue, then nails with his air gun so the nails are barely seen – just tiny indented specks.

Next came the design of (and arguments over) the cabinet’s top decor. To start (the designing, not the arguing- you can figure that part out for yourselves!)- draw your outline on HALF the paper, then flip it so it’s exactly the same on the other side, but mirror image- and trace it out in full.  We didn’t like the first design (above) – there was too much wood and not enough decorative ‘cut-out’ (or too much positive, not enough negative).  So we tried again and ended with perfection, thanks to my eye and Richard’s hand with a jig-saw!

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I gave all of this front-facing (built right over the t.v. which has always been mounted on the wall) the same distressed-paint treatment as the rest.  Black, glue-crackle, turquoise.  Paint some with dry-brush streaking as above, wipe off hard in places too.  A word about the paint – you don’t HAVE to use chalk paint as it’s expensive. You can buy a chalky dust and make your own from regular acrylic/latex.  The chalk paint WILL make your piece look older than just regular acrylic.  But in order to crackle and distress, you DO need acrylic/water-based paints.  It won’t work at all with oil-based (bad for the environment anyway). AND it won’t look authentically ‘primitive’ either.

I asked Richard to make this piece round-edged as I thought it would look ‘softer’ and more authentic than square edges.  Thus, I could also do a ‘wipe-off’ for a lot of the black to show, which replicates the ‘worn’ look in a natural spot – where it would be most often handled/touched over the centuries!  The above 3 photos were taken as the glue is still drying so you can see how it’s slathered on in some spots, but thin in others (those bits already crackled).

Pie-safes, in case you don’t know, have chicken wire, screens, punched tin or drilled holes to let air circulate and allow pastries, breads etc. to cool off and be stored.  I wanted MY pie-safe to have the chicken wire on the bottom to cover the equipment, but with thin cloth behind it so that the remote controls could still function with the V.C.R., etc.)  Richard made the light-weight frames and I first painted and distressed them.  Then I painted the chicken wire (just some pieces left over in the barn from outdoor projects – again, we didn’t buy anything if we could help it)  to make them look a bit rusty in spots.  Next, I cut them to size and stapled them in.  As I do on Rustic Revivals projects, to avoid any sharp edges from the wire, I caulked a lot of ‘gunk’ from my caulking gun where there were sharp pieces sticking out.  This, when dry, also helped hold the chicken wire in place.  Lastly, I cut some of the fabric from extra curtains I’ve had in the last 3 places we’ve lived – pleated it a bit and stapled it in. The turquoise and the olive-green go with all my pottery, esp. my good Franciscan earthenware dishes, so these are the ‘pop’ colours of our otherwise dark brown living/dining room. Plus turquoise is a very common vintage paint colour.

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(Note: I ended up having to paint more of the chicken wire than I’d first intended, as it simply didn’t show up well enough.  So parts are white, parts ‘rusty’ red, and parts aluminum/unpainted. And by the way, I did add some turquoise dabs to those too-shiny hinge spines. Didn’t want THEM looking new!).

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The last main part of the project for Richard was the bead-board ‘cupboard doors’ I wanted replicated for the top.  We did NOT go buy more bead-board, either, I’m glad to say. Part of the bathroom wall I tore out when I first came here two years ago was salvaged for this, although Richard had to hot-gun some old wallpaper and glue off the backs to make it weigh less (important for its function as you’ll soon see).

The white part is how it was in the bathroom. Richard made pine frames for it, although I believe the same effect could have been done without the frame if you’d prefer and it would be lighter in weight to ‘slide’ as we’re doing with ours.  This is the part that will cover the screen itself.  Thus, I painted everything black for the undercoat that would show through. Except for two roughed-up bits of olive paint I mixed myself. Using my old faithful ‘visualization’ technique, I had decided that there’d be far too much turquoise on the top, so I wanted some olive colour to match the fabric below. But we didn’t want it to look ‘contrived’ and all matchy-matchy. So it needed to look like it was old scraped off layers:

This is where I also used the masking tape effect to look like truly scraped-off, chipped paint.  Plus, underneath on the olive, before lightly going over with some of the turquoise and a dry brush, I’d ‘thrown’ and dribbled some black paint and intentionally dolloped some blobs that I could later scrape off, showing the olive underneath.  If you want something truly old and primitive-looking, from a new piece of sanded pine board, you really have to be artistic and WORK HARD~!

Also, as this was the biggest painted piece that would be always seen, I wanted the crackle to be really defined. So instead of the big jug of Elmer’s, I used the expensive ‘Crack It’ from Home Hardware . (Remember to go horizontally with the glue or crackle product, if you then are going to paint VERTICALLY down!)  And it REALLY worked! Almost more than I might have wanted!

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Then, as all the turquoise was a little TOO bright still, I dulled parts of it down with a light stain.  I almost always, when distressing paint furniture, use a bit of stain to ‘age’ the colour in places, as paint is prone to do if over a century old!  (See what I did with our kitchen cupboards and bake table here: https://bluebellmountainblog.wordpress.com/2016/06/17/recent-reno-country-kitchen/  )

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Lastly, I debated spending SOME money on some true antique ceramic matching door knobs.  But why do that, really, when your husband has cheap plastic dollar-store knobs in his worktable in the barn, left over from a reno. he did over 20 years ago?  Exactly.  So we didn’t spend a penny on these either.  I lightly sanded them so paint would stick, painted the olive colour, and decorated vintage-style.  There’s a calligraphied “R” and “J” for the top knobs, and some little twirlies which Richard calls ‘bugs’ for the bottom.  I gave them a coat of urethane as well, to protect the paint and to make them look shiny as they would have done if they’d BEEN the $24.00 per knob I was looking at online!~

I also wanted the bottom doors to open just like the old way (and as I did in the kitchen) by simply swiveling a wooden ‘bar’, which is from a tobacco slat from the famous cousins Pete and Linda Baxter that I cut and painted.  Richard, once nick-named “Mistah Particulah”, has SOOOO caught on to distressing and replicating primitives, that he even pounded a rusty old nail into the centre to create the ‘swivel’. Yay!

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You know from previous posts that we often traipse back and forth to the barn in our pajamas of a morning.  Sometimes, we work on projects wearing them as well.  Here, Richard is drilling the holes for my doorknobs.

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Above, Richard has put on the knobs and the swivel (on which his old rusty nail is barely noticeable against my little black dot decor with the tops of my paintbrush!) As well as staining to age some of the painted effect, I also dry-brush-streaked some olive paint on (seen faintly above on the middle strip) to tie in the other olive accessories and effects.  Here is the difference:

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The top ‘cupboard doors’ are one piece that simply slide back to reveal the television screen when we want to watch something.  We will eventually have a blacksmith make a big black iron hook to hang from above that will hold this, but for now the adjustable piano stool and trunk work fine.  Richard’s so happy to have our equipment and storage for video tapes and DVDs finished!

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So that’s it!  The finished masterpiece!  We figure, not counting the designing and arguing at various stages over the last two years as we visualized and discussed and disagreed, there was about 20 hours of physical work EACH in this.  Still much less than a Da Vinci, but we sit and enjoy it all every bit as much! That is, of course, my Franciscan Nut Tree plate upon which this whole room has been based with the few bits of colour here and there on shelves, in pictures, and in fabrics… And let’s not forget how well it matches Mom’s huge effort from last winter – our beautiful hand-braided rag rug!

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above, Mom/Joy’s project from last year, the braided rag rug that ties in all the colours of this room and our dishes and pottery. On my grandmother’s chaise longue, see also a blanket woven by Mom, and a cushion hand-dyed, spun and woven by Aunt Ila, the aunt who passed on her skills to her niece.  To see the posts on Mom’s weaving and braiding of rugs and other household ‘needfuls’, click here:

https://bluebellmountainblog.wordpress.com/2017/04/18/5338/

and near the bottom of this one:

https://bluebellmountainblog.wordpress.com/2016/12/07/secluded-habits-not-about-monks/

I know many of you wanted to know when my humourous verse dedicated to Joy’s textile work would appear in the N.B. mag Created Here. It was supposed to be in the online version, but I’ve yet to see it online. I’ll let you all know.  I am also planning to devote all of next week’s blog to Mom/Joy’s weaving, spinning and braiding as she’s just finished three delightful projects for us as well as helping the pastor’s wife a bit to take on this new and rewarding hobby.

To finish, here’s the masterpiece, alongside Richard’s other recently-completed project of beauty and comfort in our Blue Belldon farmhouse:

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The Pedantic in the Pantry

From the first time I laid eyes on the video Richard took of our soon-to-be log cabin-cum-farmhouse, in March of 2016, when he flew out to video-tape every inch for us, I knew that one of the VERY first things I’d be getting rid of was the 1970s kitchen, especially the ‘peninsula’ counter that stuck out into the room, and the ugly pantry closet.

 

When I was alone here for the June and July of 2016, I immediately sledge-hammered the peninsula out, and at least took the folding door right off the shelf area.  (Those renovations to the kitchen can be seen here, with the before and afters that everyone seems to love:    https://bluebellmountainblog.wordpress.com/2016/06/17/recent-reno-country-kitchen/ )

I then  painted the inside of the shelves, put up some gingham on the ugly paneling on the back wall, put a low-energy light in there that stays on all the time (adds light to the beginning of the dark hallway and is a good night light at night as we fumble our way down to the bathroom – at least 3 times each!) .  Finally, I stuck as many canisters in there on the newly brightened shelves as I could fit, and hid the cans and store-boughts behind them so it looked semi-attractive to the eye:

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But we always planned to do something more permanent, and as the daily baking and cooking has progressed, the shelves got more and more disorganized, and as we have only the one phone (in the spirit of keeping life so-much-more-simple!), this little nook was becoming problematic to the point where I couldn’t stand it any longer! I needed a better place to hide/store the store-bought cans and packages, and I needed big bins to take ALL the bulk baking goods we buy.  So, after not TOO much nagging (for once!) Richard got to work with his perfectionist measuring, designing, discussing, re-measuring, cutting and re-cutting.   Sadly, we have yet to find a good source in this province for reclaiming lumber.  I have a sad inkling that many N.B. farmers and home-owners just burn everything they don’t want.  Thus, though we wanted an old mercantile look, Richard had to start out with fresh new pine boards.  The good thing about this is that no kind of liners would be needed for inside the bins!  Which is just as I like it because neither do I wish any form of plastic for the environment, nor would I want to be messing with tin…

So…. first Richard built me some little shelves in a space that was essentially wasted.  These would hide all the cans and packages in and behind some baskets.

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Next came the big bin for baking ingredients that are too small to go in canisters, that I don’t use that often, or things like cracker boxes (btw, in the interests of living simply and more self-sufficiently, I only allow SODA crackers in the house anymore – not the realms of assorted boxes of crackers, and NO cereals! Soda biscuits are still good for days when the bread I make has run out, OR for upset tummies, OR as I’m now doing – making quick pie crusts for things like our many frozen apple slices!)

Here’s the bin.  Richard put it on 4 big casters so it just rolls in and out:

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Next we have the kaffuffling with the actual bins. Though I’d given two examples to Richard, there is inevitably this time period in any of his projects where we have to go back and forth, back and forth over advantages/disadvantages of cuts/sizes.  This one was originally cut square, but we finally agreed that while it would hold a bit more that way, it would never tip outwards in the desired (by me) fashion!

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So I asked him to round off the sharp corners and we got this:

Then Richard went on to make me four lovely, smoothly sanded, rounded edged (this is the pedantic bit from the title!) fold-out bins.

It was also necessary for him to extend the shelves by some inches, so that the tops of the bins would be covered, and they’d have more room to ‘tip out’ toward me, free of the back of the doorframe:

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Now, here’s the thing about Richard and his woodworking.  He is so persistent and particular, that everything actually ends up way TOO perfect (and generally late for deadlines as well!)  I don’t like perfect.  And I hate anything to look like it came out of an Ikea flat-pack.  We BOTH love our old pine hutch (rescued for only $250. at an auction) and as it’s right beside the pantry cupboards, it HAD to match!  The hutch is pretty old and  beaten up. That’s what gives it such lovely character:

So, how do you make new pine wood with rounded edges and perfectly pedantically sanded faces look like its 150 years old?  Well, this isn’t the first time I’VE done this, but Richard had to be convinced.  You use what he calls ‘Medieval Torture Tools’ and you have at it!

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So, here’s Richard contemplating if he could ‘allow’ it to be done to his finely sanded drawer fronts and cupboard:

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Yes, he decided.  It made quite a neat effect.  And when I explained how the stain would darken in the grooves and really age/distress it, he was sold!  So we started hitting the faces (not yet attached to the drawers) with chains, tapping with the horse hoof rasp, plucking and prodding with other heavy objects. Smitty thought we were right nuts.

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We experimented on cut-offs for several effects, like these:

Richard especially liked the effect of the rasp, but I didn’t want to use it too much, or it would have looked contrived (which of course it was!) Here’s what those 2 effects looked like:

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Finally, it was important to chisel a bit off the rounded edges, to make them appear well-worn over the years, esp. at the tops of the drawers, where hands might have pulled them:

Here’s what the front faces looked like after we’d beaten on them (and by the way, ole Mr. Perfect Pedantic decided it was rather fun to do this!)

Next,  we had to match the staining to our pine hutch as closely as possible.  Oh, it’s just a pine stain, I hear you say?  But no!  There are 4 different types of stain called ‘Something Pine” now, AND an antique like the hutch changes colours through the decades, darker some places, lighter others and,most difficult to replicate – a sort of soft orange.  I ended up experimenting and testing like mad and finally ended up using layers and a total of 6 different stains (all already in our basement – we do NOT buy things just for the sake of spending more money!) to get the right colour and effect that best matched being beside the old hutch.  In addition, in some ‘strips’ (always with the grain) I’d put on up to 3 coats, and in others, only 1 coat which I’d even wipe off immediately so only a faint trace was left…

Fully stained, now, Richard began attaching the faces to the bins – See how the stain is darker in the grooves and scars?  Love that!OLYMPUS DIGITAL CAMERA

Now it was time to experiment with some stencilling – but wait!  Richard burned my stencil set last year after I’d used it on some Rustic Revivals’ project and he thought that since they had paint on them they were ‘finished’… grrrrrrr…. so though he’d replaced them for me, they were too large – I had to use partly-stenciled on the ends of the letters, and then mostly free-hand but to LOOK like they’d been stenciled.  Also, I know from experience it’s better to put a base coat first, which I did in ivory, then painted over in the black.

Now, here’s the thing about old.  It’s ALWAYS faded and distressed – so while these letters were originally in dark black, that would never have looked antique/mercantile-ish.  So…

sanding with a fine grade was necessary to take off some of the newly-painted letters.  Make sure the letters are dry first – you don’t want smearing!

Here’s a number I tried first, and another example of Richard’s favourite – bashing with the horse hoof rasp:

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And THEN, some artistic touch-ups on letters that just didn’t quite stand out enough was necessary. There’s a fine line between taking off too much, or not enough.  Now who’s being pedantic?

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Richard got some antiqued bronze handles from Kent Lumber (but I don’t recommend them, as they are made in China, and the two he got for the bottom sliding drawer had stripped holes for the screws, so we’re still without on that section!)  I also added a few random numbers to simulate the old crate/mercantile storage effect further…And thus, the brilliant results, if we do say so ourselves:

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And here’s what everyone loves – some before and afters, the 1970s kitchen before we bought it, and now. We HATE all those ’70s louvered doors, but they have worked beautifully for making them look like old shutters (painted and distressed, of course) for some of Rustic Revivals’ displays at shows – because of COURSE we don’t throw anything out! And don’t forget those doors down at the end of the hallway have been replaced by our prize ‘barn door’  (you can see that here-  https://bluebellmountainblog.wordpress.com/2016/10/23/that-time-has-tried/ )

 

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And here’s  just the pantry area before and after:

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Yes, that IS one of Mom’s hand-woven rugs in front of the hutch (helps cover up the ripped up bit of floor where I had to sledge hammer out that peninsula cupboard/counter that jutted so alarmingly into our hall/kitchen area!) As you see, I still liked the low-energy light in the one cupboard so much, I decided to leave it with some jars and canisters.  And see how our organic raw honey jars catch the light and make a mellow gold? Also a little pine mirror on the back of the wall adds some texture, makes the pantry area seem lighter and roomier as well:

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Yes,sir, we love our new/old pantry area and telephone nook area now, and it’s such a pleasure to cook and bake with easy-to-scoop bulk dry goods, and easy-to-find organized cupboards and baskets and shelves….

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Anyone want to come over for some oatmeal cookies?  I’m just whipping some up!

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Recent Reno. Country Kitchen

 

The kitchen at Blue Belldon Farm was stuck in the 1970s, with heavily varnished plywood cupboards, dark painted shelves, panelling for the back. The fridge was on an outside wall where I eventually want to put our wood cookstove, so it had to be moved. And the walls were painted that pinkish-beige that was so popular decades ago, but does nothing to cheer or brighten a room.  Thinking open and airy, yet still 1800s primitive farmhouse kitchen, I designed around what I already owned and did all the work, including cutting cupboard doors on big power tools in the barn, ALL BY MYSELF.  Am I proud of the result? You bet!  Scroll down to see the changes that took 11 days straight of 8-10 hour days – the painting was a  nightmare, not just to get rid of the 1970s and all its lacquers and varnishes and possibly- cigarette-baked finishes, but to get the effect I wanted as well – all in all, most things had 4 coats, with some extra touches done on the doors.Still going to put in glass in those doors I cut out, just have plastic for now… The board on the stovetop is my great-grandmother’s bread board, upside down, made by my great-grandfather before electric stoves were invented – but it fits perfectly as a cover! AND I still use it to roll out dough, knead bread as well. (see my first loaf here at the farm, below).

Before:                               and    After:  *click to make bigger

There was a big island and built in cabinet in the middle of the ‘L’-shape, so I sledge-hammered that out to make room for the pine cabinet from the auction we attended a few years ago on New Year’s Day.  Filled with all my favourite artists’ pottery, some of Mom’s weaving, and other treasures…

Before: (built in island/cupboard at far right)  After:   *click to  make bigger

The pantry, which is where I’ve moved the fridge as well, is also lightened up and my bake table will be there as soon as Richard fixes the poor old rickety legs on it.

All the 1970s’ doors have been taken off to be used for other projects or for Rustic Revivals shabby chic (when painted white) shop displays. Nothing goes to waste, of course, but reconfiguring is the name of the game.  A quickly-accessed pantry now, that has brighter shelves, with the phone cubby and the fridge all tucked away there out of the main part of the kitchen. Love it! Everything bought in bulk and stored in canisters, or hung above, easy to grab when right there baking, mixing, blending, dreaming…

Eventually, we hope to change out the ceiling for more historical wood and beams, and rip all the many layers of vinyl/linoleum on the floor to get to original floorboards as well. Richard is going to make a concrete counter top for us and we’ll put in a butler’s sink. But for now, this is a very happy, bright, livable kitchen and will be an even cozier place when the cookstove is in the corner!

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If you’re interested in rural renovations, and historically accurate preservations,below are the steps to get the kind of ‘aged’ finish on the blue door-fronts, as well as the white chalk paint mix and the hinge trick I had to use – but it saved money and time!

The stores out here in boonesville don’t carry the heritage brands of paint that were designed to match the blends the pioneers made from various berries. I’ve always gone with some form of Colonial Blue – but usually of my own mixing to save money.  This replicates what the pioneers did with blueberries and blackberries, to ‘stain’ their wood.  To the left is the table leg of my bake table, which I actually DID as the pioneers would have. To the right I am going through the steps to achieve the same effect with paint:P6020002.JPG

Here are the steps: First,  I removed cupboard doors and stripped, sanded them, as well as shelves inside the cupboards.  I didn’t do these, however, like you would do a piece of fine antique furniture – I left holes and lumps (though I did fill the old hinge holes as they were too obviously hinge holes). Leaving the imperfections adds character when you are distressing and aging anyway.

Next, painted door-fronts a baby blue I hated, but used as a primer. Then made up a chalk paint with arts and crafts Colonial blue (helped stretch it further as well as making it more historically accurate).  Then I aged the doors by sponging on an oak stain, let it sit for 5 minutes, and then clean rag-rubbed it off, or buffed it in to holes, etc.

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I then painted the hinges and hardware  I was using – both the old ones to save money, and the new ones I bought from the feed store and with which I attached tiny hearts in my craft supplies to give the effect.  As copper is the primary colour of any metals in my kitchen (and I’ll eventually have a copper tap at the butler’s sink as well), I bought copper spray paint, sprayed it into a container and then hand-brushed it on the hardware so it all matches in colour, though has lots of diversity in the look! (which you want for ‘country’ – you don’t want everything matching, everything lined up, everything covered up…

 

This is how the doors look that AREN’T cut for glass:

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This is an inexpensive way to make ‘arrow strap hinges’.  The door to the right was my very first cutting on the radial arm saw, so while it fits the space, it DOES have that big crack and hangs a little unevenly – but again – it adds CHARACTER! And since the kitchen floors are far from level anyway, it’s just part of the charm for me. (especially given that it’s my OWN work – it means more!) The saw,  of my Montana log cabin incl. the horse I’d bred and trained, was done by lifelong friend Marg Moylan and has been in every kitchen I’ve had since she gave it to me. But this is the best spot!
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All the shelves were either sanded and painted white, or covered with white parchment paper or both. Many of the drawers or cupboard doors were removed to make room for crates and displays, as because of the pine hutch and the pantry, I have more than enough storage.
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and another historically accurate addition is the use of curtains, especially around the sink. Adds to the variety and character and takes away from that uniformed, boring ‘kitchen cupboard’ look.  So much more warmth and coziness, don’t you think?